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An open book held up in a dark library, shelves receding behind it
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impression · type off the paper

Books as objects.

Six a year. Set in metal, printed on a cylinder press, sewn by hand.You can feel the type in the page. The spine opens flat. The cloth wears in, not out. Read it, and then, for a change, keep it.

Pre-order the autumn list
01 · The impression

Three tonnes, for a fifth of a second.

Metal type, inked, pressed into damp cotton paper. The letters sit in the page, not on it. Run your thumb across a line and you'll feel every word. That's what the paper is for.

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the platen is up · type inked · paper in
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02 · The colophon

The last page tells you how the book was made.

Colophon · Winter Harbour · Press House, 2026

This edition of Winter Harbour was set by hand in twelve-point Caslon, cast on the premises from the original matrices, with fourteen points of lead between the lines.

It was printed in an edition of eight hundred copies on Somerset 140 gsm mould-made cotton paper, on a cylinder press built in 1962 and rebuilt here in 2011.

The sheets were folded into sixteen-page signatures, sewn on tapes with linen thread, and bound in Ratchford blue cloth over boards, with the title blocked in black foil.

The paper was damped the night before printing. The ink was mixed by hand and will take three weeks to cure fully; the first hundred readers may notice.

Copies 1 to 50 are signed. Copies 51 to 800 are not, and cost the same.

Type, cast here.Lead, tin and antimony, melted at 320° and poured into the matrix. Every letter you read was a small piece of metal first, and will be melted down and cast again for the next book.
An open book lit from within by a warm light, its pages glowing in a dark room

Read it. Then keep it.

Most books are made to be read once and forgotten on a shelf. Ours are made to be read once, lent, read again, and left to someone. The paper will outlast all of us; that's the point of choosing it.

The autumn list · three of six

Three books. Each one took four months.

A novel, a book of poems, and a walk. We publish what we'd want to own, which limits us to six a year, which is the right number for a press this size.

01 · Novel · OctoberWinter HarbourEdda Lindqvist · 312 pages

A shipping town, three winters, one lighthouse keeper who doesn't want the job. Set in Caslon. Blue cloth.

£48 · 800 copies
02 · Poems · NovemberField Notes for a Small CountryTomas Achebe-Roy · 96 pages

Forty poems, one a page, set in Bembo with room around them. Grey cloth, red endpapers.

£32 · 600 copies
03 · A walk · DecemberThe Long Ridge, End to EndMarion Osei · 184 pages, 12 plates

A hundred and forty miles in nine days, with the photographs printed separately and tipped in by hand. Green cloth.

£56 · 500 copies
The press

One press, one caster, four people.

Everything happens in one room above a bookbinder. It smells of ink and hot metal. You can come and watch; the door's open on Thursdays.

01
Set.Type cast on the premises, composed by hand into pages, proofed on a galley press and read aloud twice. Errors found after printing stay in.
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Print.A cylinder press from 1962, fed one sheet at a time, sixteen pages a pass. Eight hundred copies of a novel is twenty-four thousand sheets and about six weeks.
03
Sew.Signatures folded, gathered, and sewn on tapes with linen thread. A sewn book opens flat and doesn't shed pages. Glue is for boxes.
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Bind.Cloth over boards, title blocked in foil, pressed overnight. Wrapped in paper, not plastic. Posted in a box that fits.
Pre-order

Pre-order the autumn list.

All three for £120, posted as each is finished. Or any one. Subscribers to the year get all six, a place on the signed copies, and a Thursday at the press with tea.

Pre-order the autumn list